“THE BLACK
KNIGHT” uses large size dual diaphragm capsule and is designed for detailed and
neutral sound - with transparent highs, smooth midrange with minimal presence
and close to flat low-end response. It has unidirectional cardioid polar pattern.
Above picture provide some information about “THE BLACK
KNIGHT”, but how the microphone reacts in concrete application depends on a
number of factors - room volume, reflections, reverberation, microphone distance
and angle from sound source and room walls, external microphone pre-amplifier
input impedance and electronics type, microphone cable length and quality, etc.
But the basis of sound comes from know-how of the artist and engineer!
DESCRIPTION
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"THE BLACK KNIGHT" is based on dual diaphragm large size
true electrostatic capsule. Highest quality 6-micron Mylar film active
diaphragm is sputtered with our special formula of gold mixture, and
tensioned on precisely made brass backplate. It provides faster transient
impulse response, minimum sound coloration, better low frequency response,
and lets capsule to handle louder sound pressure levels. Each capsule is
carefully checked for all parameters and measured in an anechoic chamber for
optimum of performance.
Unidirectional cardioid polar pattern effectively
reduces ambient studio noise, but the frontal incidence angle is optimally
wide. Integrated head’s swivel mount let’s you
possibility to position microphone head without stand adjustments.
The microphones head-grille is made of brass mesh as very open acoustic
filter that minimizes internal resonance effects and keeps high frequencies
and sound transparency unaffected. Please us studio pop filter to protect
diaphragm if you use it on vocals.
The internal solid state preamplifier is based on class-A
fully discrete transformer-less electronics circuit, built using the best
quality selected components. The circuit is designed under the highest audio
standards and provides linear audio frequency range, high dynamics, low self
noise, and very low audio distortion of all types. |
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“THE BLACK KNIGHT” requires quality and stable 48 V
Phantom power. It is available from external microphone preamplifier and
mixing console inputs or from separate phantom power supply units. Some
units, though rated as 48 volt sources, may supply inadequate and/or
unstable phantom power, which can result in distortion and degraded
performance. Please check your phantom power source under real microphone
load.
“THE BLACK KNIGHT” is coming with compact external elastic shockmount.
Rugged microphone construction effectively reduces stand rumble, outside
infrasonic interference and mechanical shocks. The large external elastic
studio shockmount is available as option.
We recommend using of our audiophile quality microphone cables with gold
plated contact connectors to minimize external noise, signal loss and
maximize contact quality. The cables are available as option.
Under the special order "THE BLACK KNIGHT" microphones are available in
matched stereo pairs to provide balanced stereo recordings.
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APPLICATIONS:
“THE BLACK KNIGHT" microphone is designed for the recording studio needs. It
is capable of capturing vocal, piano, guitars, drums, percussion, strings, wind
and many other sound sources. The microphones can be successfully used in
professional sound reinforcement systems, in broadcast and TV studios, in movie
and video industry, project studios and home recording, and many other
applications.
VOCALS
"THE BLACK KNIGHT" is great on vocals. Use them 3 to 15 cm from capsule to
get best results. Use studio pop filter of foam windscreen to additionally
protect capsule diaphragms.
PIANO
"THE BLACK KNIGHT" gives excellent results on piano. Use a pair for stereo
recording. There are many methods with close miking, distance miking and
combined miking. The result depends highly on piano player and instrument
individuality and room's acoustics. The right microphone placement is the most
important factor. The best method is to find it by your own ear - go and listen.
ACOUSTIC GUITARS
“THE BLACK KNIGHT" is giving excellent results on both - metal string
acoustic guitars and classical nylon string acoustic guitars. Right placement is
the most important factor again. We recommend beginning with facing the
microphone to guitars' neck, where it joins body, in some 10 cm distance from
it. Use a pair or more microphones for stereo recording.
ELECTRIC GUITARS
"THE BLACK KNIGHT" gives excellent results for all - dynamic and bright clean
amp sound, for aggressive lead guitar overdrive and distortion sounds, and for
warm jazzy tones recording. Place the microphone at 5 to 10 cm from the center
of a loudspeaker to get more upper frequencies, or move the microphone toward
the cone edge to get fuller tone with more mid and low frequencies. We recommend
orienting a microphone diaphragm under some angle with a loudspeaker diaphragm
to avoid low frequency peaks. Larger distance from the loudspeaker will add more
air and room acoustics and soften high frequencies. There are endless methods of
combining close miking, distance miking, miking from a backside of an open
speaker box, experimenting with different room acoustics, etc.
DRUMS
"THE BLACK KNIGHT" fast impulse transient response, crystal clear highs and
loud SPL handling make it excellent for the drums recording, especially for
snare drum, overhead and hi-hat. The advisable distance is 5 to 10 cm from a
drum rim, but you can try different positions and angles. A bigger distance will
add more air, environment and naturalness. A smaller distance will increase the
low frequencies and separation from other sound sources. You can use a pair as
overhead microphones. There are different methods to record drums - from one
pair of stereo microphones for right balanced drum kit in an optimal acoustics
room until several microphones on each drum kit unit.
PERCUSSIONS
Like the drum recording "THE BLACK KNIGHT" microphone gives transparent,
clean and real results in all kinds of percussions recording. The distance of 25
cm is the best to start. Closer distance will add more details, tone and
separation. Larger distance will add room ambience, naturalness and blending
with other instruments.
BOWED STRINGS
“THE BLACK KNIGHT" is an excellent choice for recording all kinds of bowed
string instruments. The distance of 25 to 40 cm above the instrument bridge is
preferable for violin and viola. The distance of 10 to 20 cm in front of bridge
is right for double bass or cello.
BRASS AND WIND
The smooth, natural tone of "THE BLACK KNIGHT" microphone makes it the best
choice to record saxophone and other brass and wind instruments. For the
clarinet and the soprano saxophone use the microphone 10 to 30 cm above the horn
and lowest pads. For the flute place the microphone above the middle of the
instrument. Use 10 to 50 cm distances for the trumpet, the trombone, the French
horn, the tuba and other brass instruments.
SPECIFICATIONS:
| Transducer type |
electrostatic |
| Operating principle |
pressure gradient |
| Diaphragm's active diameter |
27 mm |
| Frequency range |
20 Hz to 20 kHz |
| Polar pattern |
unidirectional - cardioid |
| Output impedance |
50 ohms |
| Rated load impedance |
1000 ohms |
| Suggested load impedance |
>500 ohms |
| Sensitivity at 1000 Hz into 1000 ohms load |
33 mV/Pa |
| S/N Ratio CCIR 468-3 weighted |
76.5 dB |
| S/N Ratio DIN/IEC 651 A-weighted |
87.5 dB-A |
| Equivalent noise level DIN/IEC A-weighted |
6,5 dB-A |
| Maximum SPL for 0.5% THD at 1000 ohm load |
134 dB |
| Dynamic range of the internal preamplifier |
128 dB |
| Phantom powering voltage on pins #2 & #3 of XLR |
+48 V (+/-4 V) |
| Current consumption |
<2 mA |
| Output connector |
3-pin XLR male, gold plated contacts |
| Signal polarity |
toward pressure on a diaphragm produces positive polarity voltage on XLR
pin #2 relatively to pin #3 |
| Dimensions |
208 mm x 44 mm |
| Weight |
450 g |
OPTIONAL ACCESSORIES
VSMD vintage style spider type elastic studio shockmount
PSM elastic any position studio shockmount
GSM compact vertical position studio shock mount
VMC-06 symmetric quad microphone cable with XLR3 connectors 6m